Collector and Philanthropist

Country: USA
Year: 1922


Founder of the National Museum of Women in the Arts

Holladay1-book-cover-photoWilhelmina Cole Holladay in 1981 with her private collection that would become the core of the museum’s collection

How the museum was born

While traveling abroad, Wilhelmina Cole Holladay and her husband, Wallace F. Holladay, admired a 17th-century still-life by Flemish painter Clara Peeters.
Upon their return to the U.S., the Holladays sought information on Peeters, but found that the definitive art history text (H.W. Janson’s History of Art) made no reference to her, or any other female artist.
The Holladays began amassing works by women artists in the 1960s, establishing what would become the core of the museum’s collection.

Wilhelmina Cole Holladay
Wallace F. Holladay
Photo from 
2005 Fall Benefit



First steps

clipping and catalogue coverMrs. Holladay incorporated NMWA in 1981 as a private, non-profit museum, and it opened its doors to the public in 1987 with its first exhibition of “American Women Artists, 1830–1930”.

LEFT, article on “American Women Artists, 1830–1930” by Eleanor Tufts curator.
RIGHT: Catalogue cover of  “American Women Artists, 1830–1930”


ellen-taaff-zwilich_5wTo underscore its commitment to increasing the attention given to women in all disciplines, NMWA commissioned Pulitzer Prize-winning composer Ellen Taaffe Zwilich to write Concerto for Two Pianos and Orchestra, inspired by five paintings in the permanent collection, for an inaugural concert. Photo: Ellen Taaffe Zwilich


 1983. An extraordinary new building for the Collection

nmwa bulding_wInitially drafted by architect Waddy Wood to serve as a Masonic temple, the 78,810 square-foot main building was completed in 1908 and the original structure is on the D.C. Inventory List of Historic Sites as well as the National Register of Historic Places. The exterior façade in Renaissance Revival style incorporates both Tuscan and Mediterranean design elements, in addition to Masonic symbolism.

In 1983, the museum purchased the building to house its collection and, after extensive renovation, it opened on April 7, 1987. The project received several awards, including the American Institute of Architects’ Prize for Excellence in Preservation of Historic Buildings.

In 1993, the museum purchased 5,300 square feet of adjacent property and, after further renovation, the Elisabeth A. Kasser Wing opened in 1997 making the entire facility 84,110 square feet. Not surprisingly, the building has become a Washington landmark.

Highlights of the Wilhelmina Cole Holladay Collection
donated to the National Museum of Women in the Art

Clara Peeters, 

A Still Life of Lilies, Roses, Iris, Pansies, Columbine, Love-in-a-Mist, Larkspur and Other Flowers in a Glass Vase on a Table Top, Flanked by a Rose and a Carnation, 1610





Louise Moillon

Bowl of Lemons and Oranges on a Box of Wood Shavings and Pomegranates, ca. 1630s






4_ sirani_elisabetta-holy_family_saint_elizabeth_saint_john

Elisabetta Sirani

The Holy Family with St. Elizabeth and St. John the Baptist, ca. 1650–60






Elisabetta Sirani

Virgin and Child, 1663
Conservation funds generously provided by the Southern California State Committee of the National Museum of Women in the Arts





Rachel Ruysch

Roses, Convolvulus, Poppies and Other Flowers in an Urn on a Stone Ledge, ca. 1680s






8 2.2.2.x-collection-detail-peeters_still_life_of_cat_and_fish
Clara Peeters

Still Life of Fish and Cat,
after 1620 







Judith Leyster

The Concert, ca. 1633







Lavinia Fontana

Portrait of a Noblewoman,
ca. 1580







Lilly Martin Spencer

Still Life with Watermelon, Pears, and Grapes,
ca. 1860






Mary Cassatt

The Bath, 1891



















Elizabeth Jane Gardner Bouguereau

The Shepherd David,
ca. 1895






Gertrude Käsebier

The Manger, 1899







Lilla Cabot Perry

Lady with a Bowl of Violets,
ca. 1910
















Suzanne Valadon

The Abandoned Doll, 1921


















Anni Albers

Untitled, 1969







Louise Abbéma

Portrait of a Young Girl with a Blue Ribbon,
ca. 1985







Book “A Museum of Their Own”

catalogue _a_museum_of_their_ownHardcover, 240 pages
Over the centuries, until quite recently, great women artists had been ignored, forgotten, or somehow denied; they had been largely left out of museums and art history.

Wilhelmina Cole Holladay boldly decided to rectify this oversight by founding a museum in 1987 in a landmark building three blocks from the White House in Washington, D.C.

This book, written by Holladay, details the conception and first 20 years of NMWA’s history, paying homage to the remarkable individuals who helped cultivate the museum. 




The Museum today
NMWA’s collection features more than 5,000 works
from the 16th-century to the present
created by more than 1,000 artists. 

National Museum of Women in the Arts

NMWA is located at 1250 New York Avenue, NW, Washington, D.C.
It is open Monday–Saturday, 10 a.m.–5 p.m., and Sunday, noon–5 p.m.
For information, call 202-783-5000 or  visit nmwa.org